2018 I got the chance to go back to India with my new job this was amazing and I’m so lucky to have this opportunity!

I really enjoyed going to Jaipur and learning about block printing in my first trip in 2017, I would of loved to do more of this and some workshops, but because I was on an arranged tour we didn’t have enough time. So I was very fortunate to be going to experience more block printing and attend workshops, as well as meeting our carvers and talking about designs and being taught about designing. I had the most incredible time and learnt so much about block printing. In the village of Bagru I went on a village tour and learnt all the different fabric processes from preparing to dying, washing and printing. The work is all shared out amongst the villagers then dried out in big communal drying spaces. It was inspirational seeing this first hand and looking at all the gorgeous patterns and beautiful natural colours.

We did 3 amazing work shops while we were there the first one was Jai Tex Art

‘Hand Block Printing is one of the most famous traditional art of Rajasthan. Workshops are held for those who wants to learn this beautiful traditional art. During these workshops one gets to develop their skills in block printing and also gain experience by learning and working alongside skilled craftperson. It is very interesting to see how the prints are hand made with small wooden blocks, usually with different colors extracted from nature.’

http://jaitexart.com/hand-block-printing-workshop/

PHILOSOPHY

‘Jai Texart (JTA) was founded with the strong belief that the ancient craft “hand block printing” can offer ultimate products and can regain its glory if the product is developed, produced and marketed with proper blend of professional skills encompassing the entire gamut of textile and fashion designing, marketing & management skills coupled with the creative skills of hand block printing.

HISTORY

JTA had started as a manufacturer of hand block printed fabric using the printing facilities of other existing hand block printing units at Bagru and Sanganer.
With in two years we established our 1st hand block printing unit at “Sanganer”, in the 5th year (2006-2007) 2nd unit at Bagru and in the 9th year (2009-2010) 3rd unit at Bagru. We have also increased the network of hand block printers extensively who maintain the high quality of printing. Over time an extensive network of weavers have been developed at various textile centers spread across India.’

http://jaitexart.com/about-us/

Jai Texart was great such a brilliant first workshop ! We learnt about how the fabric is washed and how to line up repeat blocks and print boarders in the traditional way. I made a big wall hanging with lots of intricate floral designs because I love floral motifs.

Here’s a shot of my final block printed piece before the colours are revealed , after washing and soaking in another dye bath.

Then we had a day doing a workshop with Studio Bagru

Where we work

‘Artisans in Bagru have been hand-block printing for over 350 years. Bagru is a small Indian town located thirty kilometers outside of Jaipur – the capital of Rajasthan. While many Rajasthani villages have turned to screen-printing as an alternative to block printing, Bagru has remained loyal to its history, culture, and craftsmanship. This makes it one of the last existing hubs for this niche process. We have strong relationships with our partners in Bagru and the surrounding Jaipur areas. With our headquarters located centrally in Jaipur, we’re able to personally oversee production and manage the needs of our clients.’

http://www.studiobagru.com/about-us/

We had the best day with Jeremy! The studio is very inspiring and the tour into Bagru was an extra special part of the trip, it was great seeing the village and how everyone lives and works.

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The workshop was fabulous there was an amazing selection of blocks and all the team were so helpful, even the workshop dog! We all printed the most gorgeous fabric I would highly recommend this. Here’s some images of my final wall hanging we are going to hang them in our new studio!

The final one was Dye it Yourself which was a natural dying and printing workshop.

‘The workshop takes you on a journey, where you get to learn about the history of dyeing and assimilate the fundamentals of natural dyeing. Together, we will explore the existence of natural colors and soak in techniques to extract the yellows, orange, brown, pink, blue, red and greens from around us.

Divided into three different segments for Block Printing, Shibori Tie Dye, Natural Dyeing, DIY introduces you to a contemporary and unique world of dyeing traditions.

You will have the opportunity of interacting and engaging with experts who have been practicing these arts for generations. you get to experiment with a plethora of natural colors readied especially for the workshop. We can guarantee that you go home spattered, inspired and ready to make your own explorations through color with natural dyes.’

http://www.dyeityourself.org/about-us

Yet again a great workshop I learnt so much about natural dying, ecoprinting and block printing. The team were fabulous and the workshops were a good pace to understand all the different processes, I’ve gone away with loads of inspiration, and really want to start natural dying again back at home like I started experimenting with on my degree.

Here are some of my creations from the day…

The final thing we did was a morning of Dabu printing.

The dabu mud is made from locally available black clay, spoiled wheat flour, calcium and limestone. The mud is filtered by foot through a net in order to strain out rocks and minerals – leaving a thick, smooth mud paste. The process is often compared to the way grapes are crushed to make wine.Blocks to print dabu are distinctly different, with deeper grooves for mud, and wider lines compared to blocks for the traditional Bagru print.After the mud is made, it is ready to be printed. The printer dips the block in the mud and stamps it on the fabric.

Sawdust is gently sprinkled over the mud to prevent smudging, preserving the natural beauty of the mud print.The fabric is taken directly from the printing table to dry outside beneath the hot, rajasthani sun.

The mud-printed fabric is then dyed, commonly in indigo wells, or pot-dyed in other colors like grey, yellow, pink, and more.After dyeing, washers rinse the mud off the fabric, revealing a white color where the mud was protecting from dye. The natural cracks in the mud can be seen in the white print that is unveiled after the wash. The fabric is left to dry again before it is quality checked, pressed, folded, packaged, and shipped.

http://www.studiobagru.com/the-dabu-printing-process/

All the workshops were absolutely amazing, I have learnt so much to put into designing the blocks and ideas for workshops, as well as new designs for my own work. I really want to design some larger blocks and maybe do some two colour designs. I loved the natural dying workshops it has really inspired me to get back into dying like I begun experimenting with on my degree.

For the rest of the trip we then travelled to Delhi, Udder Pudresh, Kerala and North and South Goa, I thought Kerala was just beautiful its so peaceful and there so much nature to see and gorgeous flowers I would love to go back and spend longer exploring there. I loved Goa again and it was great going back to some of the same places.

Here some of my favourite images from the trip !

Enjoy

It’s been over a year ago since I last posted which is awful!

I definitely need to do more posts throughout this year!! So a catch up on 2017 to now …

I had all good intentions of doing a post last year after my amazing trip to India in February where I was lucky enough to go traveling for a month where I gathered so much inspiration, ideas and met many amazing people. Some of my positives were seeing beautiful places, such as Jaipur and being exposed to new textiles and designs; all of which have had a profound impact on my new ideas for my products. However, I also experienced the harsher side of India which I was not fully prepared for and this has now made me feel so grateful for living in England and so thankful for what I have here. After my trip and coming home, I quickly realised how much it had impacted me and my work and I wanted to go straight back!

At the start of my trip I visited Ranthambore National park with all the beautiful trees and gorgeous animals. I absolutely loved being surrounded by nature, it was very inspiring and I could not quite believe what India had to offer.

I then visited Delhi, Argu and Jaipur where I saw lots of amazing architecture, temples, gardens and experienced some traditional block printing that I have now tried and tested with my own designs and products.

Block printing Is

 

Definition of block print

1a : to print (something, such as a book) from hand-cut wooden blocks  —used chiefly of printers’ practice before the general adoption of movable types

b : to print from blocks

  • a linen scarf block printedin black

www.merriam-webster.com/dictionary/block%20print

 

While block printing is widely believed to have originated in the 14th century, there are examples of antique Rajasthani printed cloths that date back to the 3rd century CE. Traditionally, this craft is done in a village setting in cooperation between the block carvers, chhipas printers, rangrez dyers, and dhobis washers.

www.thekindcraft.com/indian-block-printing/

I learnt that traditional block printing is done with vegetables dyes mix with sap from a mango tree, that is then heat sealed from sunlight where it’s left for 40 to 60 hours. I also had a go myself and I have now brought a nice selection of blocks to print with.

I then continued to travel to Torigargh, which is an untouched rural part of India where I slept under the stars in the desert. After that I went onto explore Pushkar, Udaipur, Amedabad and Mumbai. Then to end the trip I finished in Goa starting Norton in Anjuna and went South to Palolem.

My trip to India was undoubtedly an eye opening experience for me in more ways than one as I not only found inspiration for my own creative work but also discovered a love of a new culture and traditions. I now really want to try and put all that I have learnt and take on board all the experiences that I have gained from the gorgeous buildings, fabrics and nature into my work to show my customers how nature can be portrayed in different settings.

Then in June I had a lot of things change, I left my job and started working for a company who sells printing blocks that are all hand carved on a fair trade project in Indian, they design and print the blocks on all different fabrics blanks and paper. As well as running workshops and selling the blocks, blanks and paints in Oxfordshire and doing workshops at art, craft and interior shows around the UK.

All of our Indian wooden printing blocks are hand carved Fairtrade in Jaipur India, using a sustainable wood called Sheesham. Once the design has been traced and carved onto the wood it is left to soak in mustard oil for several days- this preserves the wood and makes it non-absorbent.

All of our wooden printing blocks can be used to hand print your own Fabric, Paper, Card & Clay! When printing fabric it’s important to use a fabric paint, or medium so the design is totally washable, but when printing onto paper and card you can use a wide variety of paints and inks. We do find that Ink pads can sometimes not be wet enough to use with the wooden blocks so we advise that paint works better. You apply your paint, ink or dye using a square piece of sponge. It’s very important to use a foam printing matt or something soft underneath the item you are printing on to ensure you get a good print!

www.theartycraftyplace.co.uk

www.instagram.com/theartycraftyplace

I’m really enjoying working here and have found the link with India. I love helping with the designs of the blocks and working on different printing task, as well as selling at shows. I’ve also had some of my screen printing designs carved into blocks which are great , I’m going to tweak some this year because my wildflower meadow block and logo didn’t come out how I wanted but the others are perfect.

The process is much quicker and easier than screen printing and I use my textile paint I mixed for screen printing still. I want to experiment with designing two colour blocks and printing with different colours and layering. I still love the organic connections and will always print onto organic or recycled products and materials . I have started trying out some other bags, scarf and notebooks and would love to push my work more throughtout 2018 doing more fairs and experimenting with my prints.

So that’s a quick summary of the exciting things that happened in 2017 you can see lots of my inspirations, creations and ideas on my Instagram.

HollyB

www.instagram.com/hollybjones

New products hurrah!!

Hi All

Sorry I haven’t posted much in a while…

I have been busy screen printing new products and I am thrilled with the results. I have two sorts of gift wrap one in brown recycled paper and the other in Natural Lotkas paper from Nepal.

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Three different tote bag designs all screen printed on organic cotton ! + Bee Tea towels screen printed on organic cotton and cushion covers.

 

 

As well as two new pieces of up cycled furniture with hand printed upholstry on organic linen.

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All products are screen printed with designs from my Bee and Wildflower collection.

I have also been creating lampshades, drawstring and lavender bags from my pesticides collection.

 

 

 

My products are on sale on my etsy shop HollyBeaDesigns

https://www.etsy.com/shop/HollyBeaDesigns?ref=search_shop_redirect

My shop includes a range of hand painted furniture, hand printed furnishings, accessories, as well as prints.

More and more items are being added so please take a look….

Coming soon is a range of organic cotton tea towels, cushion covers and tote bags + recycle gift wrap all hand screen printed.

 

 

 

Hollie Marshall – Textile and Surface Pattern Designer

Hollie’s work explores making the ordinary extraordinary, she has been focusing on wonderland as a theme and looking into childhood memories, integrating surrealism and dreams. Come and see her beautiful textile designs !!!

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Lynn Tunney- Jewellery Artist Lynn’s work looks into the value of play , she is inspired by objects from childhood and has particular interest in the movement of traditional toys, she has created necklaces which are wearable toys for grown ups.

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Elena Brovtsyna- textile Artist Elena’s work explores seaweed which was inspired from her recent trip to Greece and her fascination with the sea. He work is made up of felt and silk which she has created into beautiful pieces , depicting the movement of seaweed from the waves.

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Julie Gooddy- Maker Julie’s work looks into the waste of plastic, she has saved all her milk cartons for a month and displayed them to show the waste of packaging.Then has created small sea creatures to show how waste plastic is washed onto are shores.

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and me my work is focusing on the environment with emphasis on the chemical impact of pesticides voicing the often hidden effects showing their threatening impression on species particularly in the UK.

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It is the last day tomorrow , so please come along

New designers is underway and buzzing with fresh ideas

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New Designers presents an unmissable opportunity to buy new products for your store or home, get inspired by fresh ideas and discover new design talent to commission or recruit.

Every year over 3,000 of the most promising graduate talents from Britain’s leading design courses exhibit. The show features everything from textiles and jewellery to product design and illustration and takes place at the spectacular Business Design Centre in London, the world’s capital of design.

Nowhere else is it possible to see such innovation and creativity across all disciplines, and the content is completely new every year.

http://www.newdesigners.com/Content/Welcome

Are stand has a selection of jewellery, textiles , and mix media pieces

I am displaying my textile collection in response to the chemicals in the countryside which I exhibited for my Final Major Project. However this time I have changed my display to fit in better with the show and displayed my carrots on a shelve so they are easier to view and show my work as art pieces , than my Craftivist act. I have also had made a fantastic rail which has a gorgeous piece of wood attached to fit in with the natural theme.

To add to my display and show my passion with painted furniture , I have painted in Annie Sloan paint ! and upholstered in a print from my collection an old sewing stool.

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The show is going well and my carrots are getting some great response the show runs until Saturday so please come and visit JC30!

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London we are here!

New Designers has began , today I started setting up the stand

Its starting to come together … What do you think ?

Are stand is situated in the Jewellery & Contemporary Design Crafts area stand number JC30, please come to visit us and see are range of beautiful work.

The show opens on Wednesday

http://www.newdesigners.com/visiting

 

 You can also view my profile on Arts Thread

http://www.artsthread.com/profile/hollyjones1/

 

Hi There

The first Part of our Festival opened on Saturday in Castle Quay shopping centre Banbury and we received over 300 visitors across the weekend. The current exhibitions features work from my course, BA (Hons) Creative Art and Design Practice, as well as Foundation Creative Art and Design and HND Graphics year 2. The show will continue through to Saturday 30th May.

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My carrots and textile collection can be found as you walk in on the left hand side, please come along and take a look! Also please follow us on are facebook page

We’re here now | Facebook .

We are open Wednesday to Saturday from 9.30am to 5.30pm and Sunday from 12 to 3pm

06 – 20th June we will also have a POP UP SHOP where my chemical carrots will be on sale! Along side some of my painted furniture and products I have created in response to the Bees and Weeds brief.

Hope to see you there

 

 

 

Hi Folks  

At The Annie Sloan Shop I have been asked to curate a window!  

So I have been thinking of key themes or designers I could use as inspiration. I have decided to use William Morris because his running theme of flora and fauna and colour palette would link in well with the shop and also the new stencil collection. Which was launched this month! Morris has been a key influence in my work over the years. I love the techniques and qualities of his work and have a personal connection, having worked at Kelmscott Manor, his country home for 5 years. His work is made up of line drawings, which are then repeated or mirrored to create sophisticated complex designs. I wanted to use one of Morris’s famous quotes as a vocal point. I have decided to use Have nothing in your houses that you do not know to be useful or believe to be beautiful’. I have chosen this quote because I thought it would be the perfect opportunity to make something ugly but useful, look beautiful using the stencils. I thought of different ideas covering, bins, irons, and radiators in different patterns. Then I started focusing more on the bin idea as I believed it to be the most undesirable. I later realised how recycling bins could look really effective, and can help promote being more green because they will look more desirable!

So what do you think ?  

I have used the flora and fauna stencils to create a busy pattern including different layers, created using Annie Sloan Chalk Paint mixes to produce a William Morris colour palette.    

Yesterday I became a craftivist!  I left my chemical carrots amongst the vegetables on the veg van in Oxford on Magdalen Road, this is run by Cultivate Oxford please support their project on crowdfunder  http://www.crowdfunder.co.uk/support-cultivate/

In the summer of 2012 Cultivate launched the VegVan – our mobile greengrocers delivering delicious produce from over 30 fantastic local suppliers to stops around Oxford. The VegVan has become an iconic presence on the streets of Oxford, and we’ve pumped well over £100,000 back into the local economy. However, the VegVan alone can never meet the demand for local food, so in late 2014 we opened the virtual doors of Cultivate Online, our new online shop. Through the VegVan and Cultivate Online we’re now delivering local produce to people in 19 neighbourhoods and reaching more customers than ever before.

Our plan

The Cultivate Online shop is much loved and growing steadily, but if we want to achieve our vision of 10% of Oxford’s food coming from local producers, we’re going to need help scaling it up more rapidly.  We’ve got everything in place to make Cultivate Online a viable – and replicable – model, but as a small social enterprise, we just don’t have the working capital we need to scale it up. We’ve come a long way since 2012, and we know there’s both a need and demand for what Cultivate is doing – so we’re asking for your help to raise the cash needed to make it a reality. We’re hoping to raise £20,000 through this Crowdfunder, and we’re bringing in business development expertise and support to help us fine-tune our model, grow our customer base and develop a sustainable community-run business.

I want this to really educate people into why to buy organic as sometimes people might buy it because it tastes better , its much more than taste Its fresher and healthier better for the environment and it supporting our local farmers